“Bajazet rivals the company’s 2011 staging of (Vivaldi’s) Griselda for the mantle of Pinchgut’s finest production...Showing a touch of brilliance Burgess cleverly subverted the opera’s unconvincing happy ending in a manner true to both Tamerlano’s character and the context of his product ...
A second edition of ‘The Singing and Acting Handbook’ is in progress and the authors are currently organising a workshop tour to performing arts institutions in Europe and the USA to explore the methodology and ideas behind this ground-breaking work. Please contact Thomas de Mallet Burgess if you wish to organise a visit to your institution.
